If you require proof that contemporary art doesn't deserve Government funding, you need look no farther than the Liverpool Biennial, which has attracted almost 900 would-be artists from around the globe to parade self-indulgent junk before the populace. Take Do Ho Suh's Korean House (2010) wedged between two dilapidated warehouses. Culture clash or merely another instance of contemporary rubbish labelled "art installation"? Click the title link to read more about the appalling, self-indulgent tripe being dumped on Liverpool in the name of Art. It's head-banging stuff.